The fact that almost everybody (in first world countries) goes to school, yet there are so many stupid people is proof that our current education system isn’t working.
Stan Lee lived long enough to see his comic book characters touch the lives of two generations: those who grew up with comics and those who grew up with superhero movies
The internet’s pillars of wholesomeness have a new member. Steve Irwin (Love nature), Bob Ross (Love yourself), Mr. Rogers (Love others), Stefan Karl Stefansson (Love life), and now Stan Lee (Love imagination)
i immediately lost 5 followers after this lmao thank god
When I say “let people ship what they want” I mean stuff like silly crack ships or crossover ships or shipping OCs with canon characters. Incest and pedophilia ships are always shit.
alright don’t be mad but. i never read the great gatsby. i know i was supposed to. yes, it was assigned to us. i even know, more or less, what happens in the book. technically, i wrote an essay about it, i think, once or twice.
at the time, i hadn’t read any book assigned to me. ever. it wasn’t that i didn’t like to read. i loved reading. but homework took place in a function of my brain that i couldn’t access. i would sit in libraries or at my desk and just. not do my homework. i spent hours like this, days like this, years like this. just not doing what was assigned to me, no matter the consequences, no matter how badly i wanted to be doing it. i just wouldn’t. and i wouldn’t go to class because i didn’t want to deal with the fact i didn’t do the homework. and then i wouldn’t get the homework. so i didn’t do it.
i remember realizing while i was doing college applications that i had actually, real-life fucked up. that it was permanent, what i had done. that i had a C- of an average and no future to look rosy at. and i still couldn’t make myself do things. i tried to submit applications only to realize i’d shoved off the date to the very last moment. and i was fucked.
it takes me three years and two transfers and three new starts before i am actually real-life trained how to study, how to read, how to enjoy being assigned things.
and i watch parents of my students yell at students for being the same person i was six years ago: screaming at an A-, confused at skipped classes, punishing missed homework. and these students don’t have an answer. they just don’t do things. even if they want to. and they look at me, confused and defeated and without an answer for their parents. “i just can’t,” i hear a lot, and i understand.
parents don’t like “executive dysfunction” as a reason. “anxiety” and “depression” are often misdiagnosed as “procrastinating” and “lazy”. kids just learn they’re like this. that they’re always going to be. that it’s their fault, permanently. they are surrounded by books they didn’t read. and it doesn’t feel good. it feels like suffocating.
today i started “the great gatsby.” i promise. one day, it’ll feel easy.
we really gotta talk about this more I had no idea other people were like this
This was a request and at first I wasn’t sure if I had anything to provide with, but as it turn out it got a little longer than I expected because there were actually things I had to say!! Wow!!
Anyway, this is some guidelines I follow when I try to make the face expressfull, more specifically the mouth! It is often neglected, since it’s actually pretty hard, I’ll admit. But I’m here to help (hopefully…)! A mouth expression tutorial as per request. Enjoy and hopefully it will help some a little. ʕ•ᴥ•ʔ
Draw the teeth at the right angle.
This is super important. The upper jaw follows the angle of the head, and the lower jaw will depend on how open it is. Make sure you have a rough estimate of where the teeth are, and how much of them you’re going to see!
The lips will VERY roughly follow the same angle as the teeth. It really depends on the character, but it gives you a sense at least.
If you DON’T do this, you’re going to lose so much volume and the mouth is going to end up looking unrelatable. I showed this example in this tutorial:
It’s not just the lips!
The cheeks, chin, and tongue play a role too!
Try look at your own mouth or references! I have a very pliable and large mouth, so that’s one reason why my characters have it too lmao.
ASYMMETRYYYYY (ง ͠° ͟ل͜ ͡°)ง
I cannot emphasize how important asymmetry is when drawing expressions. It applies not only to the eyebrows to achieve the Dreamwork Face™, but also the mouth. Seriously if you draw a symmetric mouth I will deliver myself to your mailbox and then shout at you until you fix it.
Look at the difference between these two for example: which one has more “life”?
I think you get the idea.
Push and squish – give it flow
Here’s an old drawing I have but it illustrates how I think when I squish the mouth, and use folding and wrinkles to my advantage.
Look at your own face and see where skin bundles up, where it creases the most and when bumps appear on your chin. Subtle details makes all the difference!
One VERY effective detail is illustrated in the first sketch, where I pull upwards on one side, and downwards on the other. That’s a good detail to use when the character is making a skewed expression, or is extremely frustrated. I encourage you to play around with that concept bc it’s ~super effective~!
EXAMPLES:
Happy: Your entire mouth is pushed upwards, not just the corners of your mouth!
I tend to draw a :3 mouth bc I’ve been drawing Lance too much….. You don’t have to but it’s basically imprinted in my motor memory by now.
Pouting/frowning: corners are pushed down, middle pushed slightly up. Sometimes, there’s a slight dip in the middle too. It can give a sense that the character is biting their lips.
Showing frustration/intimidating/is intimidated: basically showing a lot of teeth. The corners are as open as possible and the middle sorta more squished. An extremely important detail here is showing some of the gums, and open space between the cheeks and teeth. That way it looks like the mouth it open to it’s full potential. Here is also where you basically MUST add folds and bumps, or else it’s not going to look relatable.
(Here I am again with the pulling upwards on one side and downwards on the other, as illustrated on the last sketch)
And then again, here’s just another doodle showing how important it is to show the gums. It’s the same face twice, but the second one looks slightly more frustrated doesn’t it?
As you can see, this last one is very versatile and I draw it a lot. Play around with the basic shape and see how much subtle details makes a lot of difference!
That’s it!
I hope that cleared some things up and was somewhat helpful! Enjoy drawing ✨
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